Sound, Special Effects, Multi screen works
SOUND DESIGN EXAMPLES
• Rouge (Red) (1994) dir Krzysztof Kieslowski 47:10 - 53:38
With each scene change there is a different background sound. Each location has its own 'presence'.
MULTI-CHANNEL WORKS
• Candice Breitz Factum (2010)
MULTI-CHANNEL / MULIT-IMAGE WORKS
• Pat O'Neill Trouble in the Image (1996)
A founding father of Los Angeles' avant-garde film scene, an influential professor at CalArts and an optical effects pioneer, Pat O’Neill is best known for his short works from the early 1960's onwards which are highly graphic, layered and reflexive assemblages based on a mastery of optical printing techniques. In O’Neill’s films boundaries fade, narrative collapses and layers of imagery draw the viewer simultaneously towards and away from linear meaning. O’Neill has combined found footage with experimental montage and compositing techniques to create a graphic language that deals with how different, often disparate elements assembled together in the frame relate to one another. His innovative optical techniques anticipated our digital landscape well before its time.
more:
• Pat O'Neill Foregrounds (1979)
•. Isaac Julien Paradise Omeros (2002) (8min extract) (or full) <Shield SSD>
• William Kentridge Refusal of Time (2012) (Metropolitan Museum) <Shield SSD>
• Julian Rosefeldt Manifesto (Armory Installation 2015) <Shield SSD>
SOUND + CONCEPT
• Marianna Simnett The Needle and the Larynx (2016) <Shield SSD>
NYFF 62 2024 Currents selections
• John Smith Being John Smith (2024). <Shield SSD>
• Miranda Pennell Man Number 4 (2024). <Shield SSD> -1'37"
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